‘Schroeder’ occasional table designed by Gerrit Rietveld
Netherland, 1960s
Red, white, black, yellow, and blue lacquered wood and laminated wood.Two factory marks: H. G. M./ G. A. v. d. GROENEKAN/DE BILT NEDERLAND and 'GROENEKAN/DE BILT NEDERLAND'
Literature
Gerrit Rietveld: A Centenary Exhibition - Craftsman and Visionary, Barry Friedman, Ltd., fig. 22 The Complete Rietveld Furniture, Voge, ppg. 58-59
The ‘Schröder’ side table is an excellent example of the bold geometry and visionary design of the De Stijl movement. Produced by G.A. van de Groenekan, the table features an eye-catching composition of primary colours paired with clean, angular lines. These principles were central to the De Stijl movement which was based upon strict ideals of vertical and horizontal geometry.
Much like Nordic design, the ‘Schröder’ table is a harmonious blend of art and functionality. The asymmetrical structure challenged conventional design norms while remaining practical for modern living. Rietveld believed in creating furniture that challenged conventional aesthetics and hierarchy. The Schröder Table’s asymmetrical design exemplifies this. It doesn’t conform to traditional ideas of balance but instead explores new spatial relationships. The bold use of red, black, and white—the hallmark palette of De Stijl—demonstrates how art can be translated into everyday objects.
The table takes its name from Truus Schröder, Rietveld’s close collaborator and patron. Schröder commissioned Rietveld to design her iconic home, the Rietveld Schröder House, which is now a UNESCO World Heritage Site. The table reflects the same dynamic interplay of planes, colours, and functionality seen in the house. It was conceived as part of a vision where furniture and architecture worked together to create a seamless, modern living environment.
H: 60 cm / 152' 7 "
W: 50 cm / 127'
D: 50 cm / 127'
Price: on application
